Dichroic is defined in the
dictionary as “The property of a surface of reflecting light of one color and
transmitting light of other colors.” Transmitted colors are what you see when
you would look through a clear piece of DichroMagic® glass. Reflected colors
are the colors you see when you hold the glass in front of you, and will be the
opposite color of the color reflected. Dichroic
coatings are produced by vacuum depositing multiple thin layers of exotic
materials onto a glass substrate. This creates an optical filter that can
selectively reflect and transmit wavelengths of light. A vacuum chamber is
needed in order to produce a pure environment for depositing the thin film
materials. The vacuum produced is similar to that of outer space. The
proprietary evaporants are vaporized in a crucible located in the bottom of the
vacuum chamber, by a high voltage electron beam onto the rotating glass above.
The glass is also rotated in the chamber through this vaporization process in
order to deposit uniform coatings on the glass. Due to the difficult coating
process there can be slight differences in color throughout the sheet, or from
one sheet to the next.
WHY USE DICHROMAGIC® DICHROIC
GLASS?
DichroMagic® has many uses
from stained glass, fused jewelry, tiles, slumped bowls, lamp worked beads,
blown paperweights and vessels to cast sculpture. DichroMagic® dichroic glass is
a state of the art thin film combining the science of vacuum deposition and
optical filters with the art of glass. DichroMagic® dichroic is designed to
remain highly stable at fusing and glassblowing temperatures while retaining the
beautiful optical properties and colors. This endurance is due to the
state of the art equipment installed in our optical coating laboratory. The
DichroMagic® coating is enhanced with a tough overcoat giving it high
temperature resistance and scratch resistance. Due to its unique properties,
DichroMagic® is the professionals’ choice for dichroic glass art. The only
limitation is your own imagination.
USAGE TIPS FOR DICHROMAGIC® DICHROIC GLASS
Color Shifts In Fused And
Hot Glass
After fusing or lampworking
dichroic glass, the color will shift towards the left on the visible color
spectrum, depending on the thickness of the dichroic coating, the amount of time
and temperature fired for a specific kiln, the number of firings, the type of
base glass, and the exact application of the DichroMagic® in the project.
Always choose colors that will have room to shift towards your desired resulting
color. Also, individual kilns fire differently and it is important to test
color shifts before entering into large projects. The color codes for
DichroMagic® are arranged in order from the thinnest (LY) to the thickest (RR).
After selecting the correct color needed for your final product, go to the next
thickest color. For example, if you desire a blue transmit/yellow reflect,
(BL), choose a light blue transmit/gold reflect (LB). Upon cooling, the color
will shift from light blue to blue. Thinner colors such as LY, YE, and AM may
shift beyond the desired results if your process is very hot. We recommend
fusing a test palette using the color sample set to see how much firing
temperature will affect the color shift. The best way to see what the color
shift should be is to view the dichroic at a 45-degree angle. That color
whether it is from the reflection or the transmission will be the shifted
color.
USAGE TIPS FOR DICHROMAGIC® DICHROIC GLASS
Color Shifts In Fused And
Hot Glass
After fusing or lampworking
dichroic glass, the color will shift towards the left on the visible color
spectrum, depending on the thickness of the dichroic coating, the amount of time
and temperature fired for a specific kiln, the number of firings, the type of
base glass, and the exact application of the DichroMagic® in the project.
Always choose colors that will have room to shift towards your desired resulting
color. Also, individual kilns fire differently and it is important to test
color shifts before entering into large projects. The color codes for
DichroMagic® are arranged in order from the thinnest (LY) to the thickest (RR).
After selecting the correct color needed for your final product, go to the next
thickest color. For example, if you desire a blue transmit/yellow reflect,
(BL), choose a light blue transmit/gold reflect (LB). Upon cooling, the color
will shift from light blue to blue. Thinner colors such as LY, YE, and AM may
shift beyond the desired results if your process is very hot. We recommend
fusing a test palette using the color sample set to see how much firing
temperature will affect the color shift. The best way to see what the color
shift should be is to view the dichroic at a 45-degree angle. That color
whether it is from the reflection or the transmission will be the shifted
color.
FUSED GLASS
Upon firing, DichroMagic® produces a unique
crazing pattern depending on the color, glass texture, glass thickness, coating
color, and fusing technique. The dichroic coating will fuse readily to uncoated
glass. In general, two dichroic layers will not fuse directly to each other.
HOT GLASS / OFF-HAND / LAMPWORKING
For hot glass processes
such as blown, lamp work, and cast glass, DichroMagic® should be used with
care. At extended temperatures above 1600 degrees F dichroic coatings can
oxidize rapidly causing drastic shifts in color. If exposed to direct flame the
dichroic coating can be burnt out. Extreme overheating and repeated firings
will destroy the dichroic creating a white ash. We suggest at temperatures at
or above 2000 degrees F the glass be applied with the dichroic layer away from
the flame. By gathering or fusing a layer of clear over the coating, the
dichroic can be encased and protected from destruction. When glass is blown and
stretched, the dichroic coating will be fractured into smaller pieces. Bead
making using the dichroic-coated side out of clear glass DichroMagic® works well
provided you do it with care.
STAINED GLASS
DichroMagic® with stained
glass is a fantastic way to illuminate an area with pure brilliant color. The
thin film can be scratched or destroyed by corrosive flux, patina, and glazing
materials, so the dichroic layer should be protected. To temporarily protect
the glass, a resist such as contact paper will work. It can be permanently
protected by fusing or gluing (laminating) clear glass on top. A clear spray or
brush overcoat of acrylic coating can be applied to seal it in, but be aware
that overcoats will cause color shifts. It is also important to never soak
dichroic-coated glass in water for an extended period of time. The acidity of
the water causes the dichroic coatings to etch off.
DichroMagic® Colors
DichroMagic® coating
colors are defined by the transmitted color on clear glass. For example, on
clear glass the color MA will show with transmitted light as magenta. When the
glass is positioned so that light reflects off the surface, a second opposite
color, TE or Teal, is exhibited. By viewing the dichroic at a 45-degree angle, a
third off-axis color, Yellow or YE, can be seen.
Please refer to the technical information section regarding color shifts when
working with DichroMagic® as hot glass. Take note of the possible color shifts
before using the product in hot glass projects. Also, production lots of a
color may vary. Below, the Post-firing Shift Reflected color is approximate and
is based on Uroboros thin glass with a normal kiln full fuse with clear glass on
top of the DichroMagic® fused at 1500 degrees.
STANDARD COLORS
COLOR CODE
TRANSMITTED
REFLECTED
POST FIRING SHIFT REFLECTED
LY
LIGHT YELLOW
VIOLET
FADES OUT TO DK VIOLET
YE
YELLOW
DARK BLUE
VIOLET
AM
AMBER
BRIGHT BLUE
DARK BLUE
PI
PINK
TURQUOISE
BRIGHT BLUE
MA
MAGENTA
TEAL
LT BLUE TO TURQUOISE
VI
VIOLET
YELLOW/GREEN
TURQUOISE TO TEAL
BL
BLUE
YELLOW
BLUE TO YELLOW/GREEN
LB
LT BLUE
GOLD
YELLOW
CY
CYAN
COPPER
GOLD
RB
RAINBOW
RAINBOW
VARIES
PREMIUM COLORS**
COLOR CODE
TRANSMITTED
REFLECTED
POST FIRING
SHIFT REFLECTED
GR
GREEN
PINK
LIGHT PINK
TE
TEAL
LIGHT PINK
SILVER OR GOLDEN PINK
TQ
TURQUOISE
SILVERISH
GOLDEN TO GREENISH
OR
ORANGE
CYAN
LIGHT BLUE
RE
RED
SILVER TO LT CYAN
CYAN
MR
YELLOW/GREEN
MAGENTA
LIGHT MAGENTA/PINK
RR
CLEAR
RED
RED/RED ORANGE
**Premium colors have about twice the thickness in
coating as Standard Colors
ULTRA PREMIUM COLORS
COLOR CODE
TRANSMITTED
REFLECTED
POST FIRING SHIFT
REFLECTED
XR
CLEAR
DEEP RED
RED
VR
PINK-VIOLET
VIOLET
BRIGHT PINK/VIOLET
PR
PREMIUM RAINBOW***
PREMIUM RAINBOW
VARIES
***Ultra Premium Rainbow starts as Pink-Violet (VR) in the center and goes to
blue on the corners.
Only available by Half Sheet (8” x 16”) and Full Sheet (16”x16”).
Contact info for Classes or
Ordering:
Hot Glass Beads
1722 N College Ave C-308
Fayetteville, AR 72703